Murmurs roll to land,
all we are, all that could be,
flows within the deep.
Here we see the intercourse between two worlds, viewed from the
vantage of the watery depths of consciousness, from the mixed state of
the wavefunction[1]
where all possibilities waft together. This is the
grey fog from which the Hermit emerges. It is the nebulous quantum realm
that seems to collapse when two systems interact and a single path of
certainty appears.
These mists of the unconscious are ruled by the ever-changing moon,
compelling the water that ebbs about us, hearkening to the depths of the
archetypal feminine. Within this primordial womb abides the seeds of all
human creativity, the living archetypes, and its threshold is the
travail of the creative process.
Practitioners of physics strive to penetrate the mysteries of the
mixed state. It is impossible to determine the location of a particle
within these deeps. Physicists can only calculate the relative
probabilities that the particle will be found in various locations.
However, when the particle comes into contact with anything else, such
as a measuring devise, the mixed state disappears, and what remains is
one answer, representing the location in which the particle was found.
This beguiling realm of wafting probabilities is the dream world of
the unconscious, where all is possible. Drawing from Jung, Banzhaf
reminds us, "...the encounter with the powers of the unconscious can be
dangerous, and only a strongly developed consciousness has enough
strength to avoid being swallowed by the unconscious. The danger of the
descent into the underworld ...is great because...the actual, real world
is neglected and forgotten since the flood of images from the
unconscious is so intoxicating, so much more beautiful..." [2]
This is why
Banzhaf tells us we must remember our "true name," that which is
peculiar to ourselves, which we learned at the Hermit card, to
accomplish the treacherous return from this domain. The intoxicating
possibilities of the mixed state disappear at the threshold of the
water, where the wavefunction seems to collapse and the solid land of
consciousness emerges. The Hermit walks on the single path that is the
result of "wavefunction collapse" [3]
when the single, definite location of the particle is discovered.
In the mixed state, however, we inhabit an imprecise location.
Within the waves, who can designate a single one and mark its path,
separate from the others? Concrete specificity has no context here.
This absence of solidity, the stability we are accustomed to associate
with "truth" and "reality," is, perhaps, responsible for
this card's
traditional association with deception and the danger of beguilement it
accompanies. But we must not be tempted to interpret this card from the
sunlit perspective of consciousness. Here, we abide within the moonlit
waves. Within the quantum, is it not the fixed appearance of the
material that can be most deceiving? Not only does all apparently solid
matter, at its innermost core, quiver with quantum uncertainty, but when
matter/energy in the mixed state contacts other particles, the
alternative possibilities of the wavefunction that do not come to pass
disappear. Unnoticed are the undercurrents that have contributed to our
perception of the single outcome. Within the water, we may not stand on
solid ground, but we are also not led to believe we can separate one
wave as the only possible answer.
The dualities that "truth" is often forced within in order to walk
upon land can also be deceiving. Yin is dark, wet and receptive, like
the water responsive to the moon of the mixed state, and the darkness
akin to the unknown breathed by its expanse. But the mixed state
contains all that is possible, not just that which possesses Yin
attributes.[4]
Physicists believe the particle in a mixed state is in
every location, yet in no specific one, like the eternal Tao that cannot
be told, because it is everything and "no thing." It is not completely
described between the dualities of dark and light, wet and dry, female
and male.
Physicists prefer to describe the universe by way of precise
quantities, but they cannot circumscribe the mixed state. It withdraws
as they approach with their instruments of objective measurement.
Quandaries like this led the preeminent physicist, Niels Bohr, to
reevaluate the role of physics, saying, "it is wrong to think that the
task of physics is to find out how nature is. Physics concerns what we
can say about nature." [5]
What we can say about nature skirts the
boundaries of this "deeper level of physical reality," the unconscious
depths of the mixed state.
Just as the mixed state embodies all possibilities, and in the dream
world of the unconscious all is possible, Jungian philosophy contends
that within the underworld of consciousness abides the source of all
meaning, a psychic organ shared by all humanity: the collective
unconscious. From these deeps all creativity and expression is drawn.
The words, colors, shapes and sounds of our multifarious expression use
symbols and archetypes to point to this deeper level of meaning. Erich
Neumann, a student of Jung's, described archetypes as ways "in which the
unconscious presents itself to the ego, or which the ego constellates
out of the unconscious." [6]
He explained that symbol groups, with their
"partly contradictory analogies" allow that which inhabits the
unconscious to ascend to consciousness. It is this interplay between
worlds, seen in this card as the threshold between the water and land,
that is the creative process. From the mixed state of all possibility,
the wavefunction collapses resulting in creation.
Creation, the attainment of "the treasure hard to find,"while
sometimes painlessly spontaneous, is most often a struggle, if not a
challenging and tumultuous affair. Tennyson wrote of the birth and
death of the mythical King Arthur, "From the great deep to the great
deep he goes." Baby Arthur was born ashore from a winged dragon ship
upon a tidal wave which, "gathering half the deep/And full of voices,
slowly rose and plunged/Roaring, and all the wave was in a flame..."
Baby Arthur washed ashore at Merlin's feet; Merlin exclaimed that the
baby was an heir for King Uther. "And the fringe/Of that great breaker,
sweeping up the strand,/Lash'd at the wizard as he spake the word,/And
all at once all round him rose in fire..." [7]
With dangers and difficulty
the pearls of the underworld are brought forth. Then, at his death,
Arthur rides the waves again on the barge of the three queens, and, like
all myths and archetypes, returns to the deeps to abide with all
meaning, all possibilities.
Possible associations: The depths of truth or physical reality where
all truths intermingle and all possible states exist at once.
Submergence, partial or complete, within the unknown, the eternal, the
creative unconscious. Exchange between the conscious and unconscious,
viewed from the depths in which the living archetypes abide. Trials of
the creative process. Struggle to attain "the treasure hard to find."
Navigation of the last perilous threshold of the underworld.
[1]
Whether wavefunctions are "real" or merely a mathematical
convention that describes
reality is a matter of debate among physicists, but wavefunctions
mathematically illustrate
the movement of a particle's, or group of particle's, wave through space
and time.
[2]
Banzhaf, Tarot and the Journey of the Hero, p. 194.
[3]
What happens when the nebulous mixed state disappears when the particle
is measured and subsequently
found to be in one location, is called the "quantum measurement
problem," and represents one of the big
quandaries of quantum physics. Some physicists believe that the
wavefunction does not "collapse" at all,
but at the juncture of measurement, universes split off into an infinite
number of "multiverses," one universe
for each possible location of the particle.
[4]
As Jung explains, the unconscious is like the Chinese water dragon, the
Yang surrounded by the Yin.
The mixed state is similar in that it is feminine in character,
archetypally speaking, yet contains all,
masculine and feminine.
[5]
As quoted in "The Philosophy of Niels Bohr," by Aage Petersen,
Bulletin of the Atomic Scientists (September 1963).
[6]
Erich Neumann, Origins and History of Consciousness, p. 263,
Princeton University Press, 1954, Princeton, N.J.
[7]
Alfred Lord Tennyson, Idylls of the King, p. 23, New American
Library, 1961, New York, New York.
Copyright©2007 Michelle Gates